11.16.2012

NanoMongering 15: The See-Saw of Hero-Villain Symmetry

NaNoMongering

Let's get this out of the way first, so that I can finally stop procrastinating on writing. Currently, I am 700 words away from 30k. Hopefully I can at least make that tonight.

I found a song that is oddly applicable to Ethan and Aurana's relationship, inside the Dark Arcana setting. (Memento Mori by Kamelot)


I'm afraid that there is a whole lot of darkness in store for them. :-(

The See-Saw of Hero-Villain Symmetry

This is a thought I had after watching Avengers and the new James Bond movie, Skyfall. Note: Please feel free to call bullshit on me at any time. The idea is that a hero and a villain are two sides of the same coin. Same background. Same characteristics. Same history, with the same traumas. Sometimes they even look the same. Same or highly similar powers. Same fears. They could almost be the same person, but for a single personality trait that is different for each of them, and which drives the choices each makes. 

Loki and Thor. Harry Potter and Lord Voldemort. Luke Skywalker and Darth Vader. Frodo and Gollum. James Bond and Silva in Skyfall (this one is certainly arguable, I included it because it was while watching this movie that I thought of the symmetry). Voldemort, raised in a muggle orphanage, and his rabid fear of death and love of power due to insecurity. Harry, raised by muggles, but kind and loving, but also protective of those he loves, also because of insecurity. Yet, though Harry and Voldemort are so far apart in deed, Harry is still aware of how close he is to becoming the evil that is Voldemort, especially in the fifth book. What keeps him safe is the power of love, which sets him apart from Voldemort. Even Voldemort might have been redeemed, had he defeated his fear of death (which Harry defeats), and learned the power of love.

The surface actions are different. The gut fear is the same. This is the heart of the story.

Their fates are so tightly bound that when one gains, the other loses. Same skills, same fears, but two different driving forces, two different world views. There can only be one triumph in each area (physical, emotional, etc.) A hero may win the war, but a villain can gain enlightenment, etc.

That deep mirror symmetry is what makes the conflict memorable. Actions are forgotten. On some level, both characters know and fear what they could become, at any moment. Any villain can go 'MWA HA HA HA!' and blow up a town, and any hero can kick them in the pants. What readers remember is the emotion, the personal stake that both have.

In a moment of truth, the villain gets inside the hero's head, accesses their shared deepest fears, and tempts him to come to the Dark side. The hero does the reverse to the villain. Being cut from the same cloth, they begin to understand each other. They both could turn. They stand on the edge of the knife. It draws the hero straight into the "long dark night of the soul," where all is dark and there's no light at the end of the tunnel. It is the turning point, where one choice determines everything, and that choice hangs on the single strength that sets apart the two characters. We see just how thin the line between good and evil is, because it all depends on the one thread of difference between the hero and the villain.

This is the ultimate conflict, where the hero has to draw on the personality characteristic which he alone possesses, in order to defeat the thing that the dark Lord could not. This is where Lord Voldemort falls to dark magic, because he fears death, but where Harry triumphs, because he does not fear death, and also knows the power of love. Yet, the victory is all the more poignant, because at the moment he triumphs, the hero understands the villain more completely than the villain himself. He wins, then, not out of the hatred which started off the story, but only with the deepest sadness for the twisted thing which he almost became. In killing the villain, he also kills himself, and the darkness within.

At the same time, the villain also faces a choice. Just as the hero can choose to defeat the darkness, the villain has a chance to let go of the weakness which drove him, and embrace the light. Thus, the symmetry. In Harry Potter, Lord Voldemort failed to do this, and dies, unable to face his doom. However, in Star Wars, even as he dies in defeat, Darth Vader does manage a personal triumph of his own, where he acknowledges that Luke was right.

Thus, the most complex stories in the world boil down to this. The heart drives the theme. Love can defeat even death. Change is inevitable, but even a small creature can shape the direction it takes.

Sorry about the word vomit. I have edited this thing so many times that I'm going nuts. I know I have probably left something important out. It's still not the way I see it in my head. It sounded so much deeper there. I have probably cluttered up the point with a bunch of unnecessary worlds. If only I could remember what my point was in a way that doesn't make it confusing.

I need to stop typing now, don't I?

Dark Arcana

Now if only I could find the symmetry in mine. I know I have at least two sets of hero-villain pairs in Dark Arcana. One is Aurana and Caliiry. (I know I said her name was Ante, but it keeps getting stuck as Caliiry, so it's staying that way.) Another is Ethan and Oscar.

As for Caliiry and Aurana, both of them were poor children ripped out of their world, who ran off in pursuit of greater things, and were bitterly disappointed by what they found, both by circumstance, and other people. They both cope by going off in self-destructive cycles. However, while Caliiry copes by aggressively trying to shut out other people and letting her fear force her to make other people fear her, Aurana longs for other people, but her timidity and fear makes her withdraw within herself.

For Ethan and Oscar...different backgrounds.

Actually, now that I think about it, I wouldn't be surprised if the pairings ended up being Aurana/Oscar and Ethan/Caliiry.

Aurana and Oscar are...very similar people.
And Ethan and Caliiry have similar faults.

In a purely random thought experiment, I wonder what would happen if I tried to combine Caliiry/Aurana and Ethan/Oscar.

...Nope. World would explode.

11.15.2012

NaNoMongering 14: Verbosity, Velociraptors, and Villainy, Part III



Villainy

I hadn't heard this song in forever. Then I randomly listened to it in iTunes recently.

o_O

It's Oscar. It's Oscar all over. His voice doesn't sound like this, of course, but it could be him saying the words to me.





Both of those videos are the same song (I Dare You by Shinedown). Sometimes one or the other doesn't work on mobile.

I've always had trouble writing Oscar's POV.


Now he says: Bring it.


Plot? I'll give you plot! Oh, sucFh plot shall I give!


So much, in fact, that I suspect he might be… THE VILLAIN!

I guess, in retrospect, I should have seen it coming when I started wondering how anyone with as screwed up a childhood as he had could possibly turn out normal. I didn't.
I might have mentioned that Oscar bears a noticeable resemblance to a certain eleventh Doctor, although it's not exact. This guy is more muscly, especially when he grows up. I should also have figured it out when he started acting less like a Time Lord and more like Lord Voldemort. Thirdly, it should have rung a huge bell when he started showing psychopathic tendencies, like my Big Bad, Pergator.

Well, I didn't. I still have my doubts. Mostly, it is because the reasons behind his actions are slightly different. Unlike Lord Voldemort, Oscar is still definitely human, and has his moments of kindness, is capable of forming human attachments, and does not possess the cold, calculating mentality that my Big Bad and Lord Voldemort both possess.

If anything, I am guessing that he is kind of a Gollum figure…in too deep, too naive to understand the forces that move him, and powerful enough to be a target.

At least, that is how it starts. Whether he is redeemed in the end or not, I do not know.

It's up to the story evolution, isn't it? Heh, my "hero" might well lose a lot too.

But that is for later.

Tune in next time for the SeeSaw of Symmetry, and The Double Sided Coin of Heroism and Villainy.

11.14.2012

NaNoMongering 13: Verbosity, Velociraptors, and Villainy, Part II

Now that I've bored you to death with The Great Saga of Agent's Epic Word Count Which No One Cares About Except Her, let's move on to–

Part II: Velociraptors






It is a truth universally acknowledged that a writer in possession of a large word count must be in want of a little editing to root out the insanity that inevitably crops up.

In this case, raptors.

I don't know why they're there. It seems that when I'm stuck for words or inspiration, I skip the mad gunman, and go straight for the raptors. Maybe it's my innate inability to take my world seriously enough that I can resist lampooning it even as I write it.

Anyway, the damn things pop up everywhere. First, there's Oscar creating them all the time in his dreams, because he's scared of them.

Now enter Aurana Lockhart, which, combined with the presence of other humans and table corners, spells disaster. She is a confirmed node of disaster. Chaos accumulates around her like detritus down a clogged drain. Poor Aurana, she can't help it. It is not her fault that Ethan's mother's pet bonsai velociraptors escaped when the Lord Protector came for a visit. Nor did she know that they are let out of their cages at night, when she decided to go for a midnight stroll. Nor is it her fault that Ethan thought an assassin was at the door, and sent a knife whizzing at her head. (She never liked that hat anyway.)

It is her fault that the butler's wig is now acting as a throw pillow in the raptor cage, and that Ethan's best telescope is in shambles. Never say that she doesn't possess weapons of mass destruction when she has her iniquitous parasol and handbag of doom in her hands.

Too bad the raptors don't like her.

Her worst enemy is an evil behemoth named Rupert, The Scourge of Mailmen. The particular pet of Ethan Brooke, Rupert can smell deception a mile away, and has a mean streak the size of Texas. Needless to say, Rupert the Scourge of Mailmen is totally on to Aurana's little masquerade, and loves to torment poor Aurana when no one is looking. Like many arrogant genius mad scientists, Ethan unfailingly picks on the flaws of other humans, but is persistently blind to the...imperfections of his special pets. It is a little known fact to the others that Rupert knows the secrets of the universe, including the ending of this story. He knows what Aurana is, even if Ethan doesn't.

Too bad Rupert can't talk.

Aurana, watch out for the---

*glass breaks*

Ethan's mother never liked that very ugly and very expensive old vase that holds the Ashes of Asvarth anyway.

11.13.2012

NaNoMongering 12: Verbosity, Velociraptors, and Villainy, Part I

Part I: Verbosity



I'm not sure about the "Rightful King Hiddleston" bit, but Tom Hiddleston (if this is a real quote) is right.

I'm back. Oh, I'm back with a vengeance!

Travel back in time to the end of Day 11...



I have no idea how it happened.

Actually, I know exactly how it happened. The last bit just went by so fast...

After a busy Sunday, I finally sat down at 9:30 in the evening on Day 11, and slowly squeezed out a few painful, diahrreal words. Three hours later, I was only 1k richer, of butt-numbingly boring dialogue which in no way advanced the plot, and was sure to put the reader to sleep. Still another 1k behind my minimum goal for the day (20k), I was ready to throw in the towel.

Then I turned to Twitter in a last ditch attempt to salvage my NaNo-ly dignity, and word warred with a fellow NaNoer who happened to be online. It was only one 15 minute session and one 10 minute session, but this put me over 20k.

After that, my OCD, and the need to round off things I had left off in the middle, took care of the rest. Oh, I don't actually have OCD. It's just that when I look at my daily word count and total word count, I have an obsessive need to round it off at the nearest ,000 or ,500 mark. It especially bothers me when I am within 250 words of the next thousand count. When I'm in my stride, this often means that I often overshoot my goal when I try to pad on a few more words to hit the mark.

...Enter OCD again. Rinse and repeat.

The rest is history.

Present, End Day 12...

Wrote 3k more through a combination of word sprints, word vomit, and padding with random bits to cross my OCD marks.

I am now at 25k, the halfway mark, 3 days ahead of the NaNo goal, and 1k ahead of my goal.

Woo. Fucking. Hoo.


11.12.2012

NaNoMongering 11.5: R.I.P. The Fangirl And The Muse

Well. So my phone took it into its head to scrap my already published Post 11 and revert it to a draft.

A. much. earlier. draft.

With none of the relevant information included.

So for all intents and purposes, the awesome possum original got deleted.

Well, shitsticks and shark attacks.

This is me right now:



 And this was probably the post, just before its accidental death:

 

I feel ya, post. I feel ya. :-( Woe to the internet browser history that doth not have a cached version available, that I might have resurrected thee with all thy garbled material contents. I sing unto thee, poor forgotten post, a dirge for your craptaculous soul that shall ne'ermore see the stark LCD light of geek night. Thou art beyond even the eldritch powers of the internet necromancer, so no more shalt thou ariseth from the murk, but sleep, and bid a fond farewell from beyond the pale of death. Adieu, though we hardly knew ye. :-(

Well. That clears up some tangles I was having with how much to word vomit in Post 12. It's half drafted, and forthcoming. Prepare for a behemoth.

11.10.2012

NaNoMongering 10: Brevity Is The Soul of Shit

Nope. Not gonna stop with the crappy puns.

Anyway, another short post, because it's 3AM and I'm too tired for word vomit.

Word Count: 16699
Body Count: 1.5
Chapters: 4

I'm still writing utter drivel, and complete crap, but today's pep talk on the NaNoWriMo site was exactly what I needed to hear. Exactly!

In any case, despite the shitty and clipped writing, things still seem to be happening.

Oscar scares me. Like many empathetic human beings, he wants to help people when they feel bad. Like many children, he doesn't fully understand the implications of his actions, nor does he see it the way others do. Except his methods of helping are...er...

Simile With a Kid:

Woman: "I'm dirt poor and miserable and all alone. My son has gone off to war. I think he's dead. I just want to see him again."
Kid overhearing: *hugs* "It'll be okay! He'll come home! Oh, and I got you a Christmas present!"
*Everyone goes awwwww about how cute and sweet this is*

Now, Oscar:
Woman: "I'm dirt poor and miserable and all alone. My son has gone off to war. I think he's dead. I just want to see him again."
Oscar: *buys her poison so she can commit suicide, and makes a hallucination for her where she meets her son to hide the agony of her dying, knowing that no other gift he could get her would make her happy, knowing that she's a crazy old woman who lives a miserable life which is only going to end in more misery...and wonders why no one else understands that this is what she wanted most. Wonders why no one else did what had to be done. He can't cure her depression, or her kleptomania, or bring her son back from the dead, but he can ease her pain. And did.*
*Everyone shudders in horror, even more so when he says, 'I was just trying to help! How can making people happy be wrong?'*

O_O What. The Hell. Oscar.